The Eternal Present and the Contested Past
Anton Kusters, 1078 Blue Skies, 4432 Days (Teun van der Heijden, 2020)
“Image/Con/Text/”
Karen Fromm, Sophia Greiff, Malte Radtki, Anna Stemmler (Jonas Verlag, Germany 2020)
“Parsing the Paradigm”
Karen Fromm, Images in Conflict (Jonas Verlag, Germany 2019)
“Afterword: The Lens and the Algorithm: From Reification to New Liquidities”
Aileen Blaney and Chinar Shah, Photography in India: From Archives to Contemporary Practice (Bloomsbury, New York and London 2018)
“An Elusive Peace”
Inbal Abergil, N.O.K./Next of Kin (Daylight Books, 2017)
“The Agony and the Artifice”
Debi Cornwall, Welcome to Camp America: Inside Guantánamo Bay (Radius Books, New Mexico 2017)
“Introduction: Questions, Hidden by the Answers”
Fred Ritchin and Carole Naggar, Magnum Photobook: The Catalogue Raisonné (Phaidon, London/New York 2016)
“Parsing the Revolution”
Joan Fontcuberta, La Condition Post-Photographique/The Post-Photographic Condition (Kerber Verlag, Berlin 2016)
“Questioning the Afterwar”
Meinrad Schade, War Without War, Photographs of the Former Soviet Union (Verlag, Scheidegger and Spiess, Switzerland 2015)
“Of Slow Photographs and Stillborn Dreams”
Donna Decesare, Unsettled/Desasosiego: Children in a World of Gangs (University of Texas Press, 2013)